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ISBN-10: 1119009774

ISBN-13: 9781119009771

The 1st of its sort, A significant other to historic Aesthetics provides a synoptic view of the humanities, which crosses conventional limitations and explores the cultured event of the ancients throughout more than a few media-oral, aural, visible, and literary.

• Investigates the various ways that the humanities have been skilled and conceptualized within the historical international
• Explores the classy adventure of the ancients throughout a number of media, treating literary, oral, aural, and visible arts jointly in one quantity
• provides an built-in standpoint at the significant topics of historical aesthetics which demanding situations conventional demarcations
• increases questions on the similarities and alterations among historic and sleek methods of puzzling over where of artwork in society

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Additional resources for A Companion to Ancient Aesthetics (Blackwell Companions to the Ancient World)

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It is this labiality that has combined with the manner of articulation of the final consonant to produce a labial. In other words the labial feature has lingered but, instead of attaching itself to the initial sound it has attached itself to the final. 2 CODA CLUSTER SIMPLIFICATION So far, we have been looking at word initial cluster simplification and its consequences. There was, as we commented, one example of a simplified final cluster in Gitanjali’s data. Let us look at the patterns in Amahl’s word-final cluster simplification.

Consider the following examples. 28) Clara (Rose 2000) a. [bɑbu ] /dəbu/ [v v l] /ʃəval/ [fədɔ ] /savɔ˜/ b. [p p ] /gaspaʁ/ [pap b] /kapab/ [pəfε] /kafe/ c. 28c). The instances of labial targeting coronal and dorsal occur in 93 per cent of possible targets, whereas the instances of coronal targeting dorsal occur in only 61 per cent of possible tokens. 29) from that exhibited by the English children. 29) labial > coronal > dorsal All Clara’s harmonic patterns are regressive, there is no evidence of progressive harmony at all in the data presented.

If aphasia is the reverse of language acquisition, as proposed by Jakobson (1941/1968), we might suppose that an investigation of sound loss is not trivial. indd 48 27/5/10 10:37:27 Markedness and its definitions 49 little that can be said about the loss of sounds in aphasia, since recent research in aphasiology has found that language does not break down along traditional linguistic lines. 1d): from the fact that the presence of X implies the presence of Y in a particular language, it follows that the unmarked Y must at least be cross-linguistically as frequent as is the marked X.

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A Companion to Ancient Aesthetics (Blackwell Companions to the Ancient World)


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