Art and Morality (International Library of Philosophy) by José Luis Bermúdez, Sebastian Gardner PDF

By José Luis Bermúdez, Sebastian Gardner

ISBN-10: 0203454766

ISBN-13: 9780203454763

ISBN-10: 0415192528

ISBN-13: 9780415192521

Paintings and Morality is a suite of groundbreaking new papers at the subject matter of aesthetics and ethics, and the hyperlink among the 2 matters. a gaggle of world-class members take on the $64000 query that come up while one thinks concerning the ethical dimensions of artwork and the cultured measurement of ethical lifestyles.

The quantity is an important contribution to the philosophical literature, beginning up unexplored questions and laying off new gentle on extra conventional debates in aesthetics. the subjects explored contain the relation of aesthetic to moral judgment; the relation of creative adventure to ethical attention; the ethical prestige of fiction; the recommendations of sentimentality and decadence; the ethical size of serious perform, pictorial paintings and song; the ethical importance of tragedy; and the connections among inventive and ethical concerns elaborated within the writings of primary figures in smooth philosophy akin to Kant, Schopenhauer and Nietzsche.

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53. 32 Michael Tanner uniqueness. Whatever we decide is the best formulation, it is clear that we do have, and therefore any philosophical account must be able to provide for, a distinction between the achievement of an adequate expression of a given emotion, and the process of development and growth which emotions sometimes undergo. It is characteristic of one moral ideal, or cluster of related ideals, that it has as some of its key terms ‘sincerity’, ‘depth’, ‘integrity’, ‘purity’ and some term opposed to ‘sentimentality’ (it is interesting to note that ‘sentimental’ doesn’t appear to have any one term as its opposite).

Whatever we decide is the best formulation, it is clear that we do have, and therefore any philosophical account must be able to provide for, a distinction between the achievement of an adequate expression of a given emotion, and the process of development and growth which emotions sometimes undergo. It is characteristic of one moral ideal, or cluster of related ideals, that it has as some of its key terms ‘sincerity’, ‘depth’, ‘integrity’, ‘purity’ and some term opposed to ‘sentimentality’ (it is interesting to note that ‘sentimental’ doesn’t appear to have any one term as its opposite).

And in a further group of cases it is a term that I, at least, feel compelled to use, while not regarding it as one of the ‘passwords’ of the intentional school, with which designation in the paper ‘The intentional fallacy’,7 Wimsatt and Beardsley contrive to give it an oddly conspiratorial air. While saying nothing detailed on that score, I will merely constate that categorically to dismiss the relevance of sincerity to the creation of art seems to me to postulate a clarity and clear-boundedness in our concept of art which I don’t believe that it possesses: and in particular a confidence in our placing of art in the spectrum ranging from utterances where sincerity is the prime requirement, such as private avowals of affection, and those where it manifestly plays no part, such as the recital of public notices in parks; a confidence which is quite misplaced.

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Art and Morality (International Library of Philosophy) by José Luis Bermúdez, Sebastian Gardner


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