Download e-book for kindle: Deeper than Reason: Emotion and Its Role in Literature, by Jenefer Robinson

By Jenefer Robinson

ISBN-10: 0199263655

ISBN-13: 9780199263653

Deeper than cause takes the insights of contemporary medical learn at the feelings and makes use of them to light up questions on our emotional involvement with the humanities. Robinson starts through laying out a idea of emotion, person who is supported via the simplest proof from present empirical paintings, after which within the gentle of this concept examines a number of the ways that the feelings functionality within the arts. Written in a transparent and fascinating type, her e-book will make interesting interpreting for a person attracted to the feelings and the way they paintings, in addition to somebody engaged with the humanities and aesthetics, specifically with questions about emotional expression within the arts, emotional event of paintings types, and, extra typically, creative interpretation.

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Extra info for Deeper than Reason: Emotion and Its Role in Literature, Music, and Art

Example text

They are cases of what Lyons calls ‘Pavlovian’ emotions, and these examples are problematic for any view that insists that some type of belief or judgement or ‘cognitive evaluation’ is essential to emotion. Greenspan’s solution to the problem, however, is equally problematic. If in fear I merely have a ‘thought of danger’ rather than a belief that I am in danger, it is mysterious why this would motivate any behaviour in me at all. If Fido merely makes me feel as though danger were at hand, why do I avoid him with the same care that I take to avoid younger, larger, and fiercer dogs?

James seems to be right about this on both conceptual and empirical grounds. Conceptually, there is nothing we can identify as an emotional response unless there is marked physiological activity of some sort or other. Indeed an emotional response is, at least in part, a set of physiological responses. When—at the sight of my lost 2-yearold toddling towards me out of the crowd—I respond by running towards him, crying out, gasping, laughing, trembling, and turning white, in a heady mixture of fear and joy, that set of gestures, behaviour, and physiological responses is my emotional response.

Lazarus, who, as a psychologist, is presumably less interested in the nuances of conceptual analysis than in a workable framework for experimental research and clinical practice, gives fairly crude accounts of the different evaluations he deems necessary to each emotion. 21 Like all psychologists, Lazarus is trying to come up with a framework for the scientific study of the emotions, and so he is naturally more interested in a general account of the cognitive appraisals that he thinks are necessary to basic types of emotion rather then coming up with accurate accounts of how to use English words such as ‘angry’, ‘sad’, or ‘disgusting’.

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Deeper than Reason: Emotion and Its Role in Literature, Music, and Art by Jenefer Robinson


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