Download e-book for iPad: Economy of the Unlost: (Reading Simonides of Keos with Paul by Anne Carson

By Anne Carson

ISBN-10: 1400823153

ISBN-13: 9781400823154

The historic Greek lyric poet Simonides of Keos was once the 1st poet within the Western culture to take cash for poetic composition. From this start line, Anne Carson launches an exploration, poetic in its personal correct, of the belief of poetic economic system. She bargains a analyzing of definite of Simonides' texts and aligns those with writings of the trendy Romanian poet Paul Celan, a Jew and survivor of the Holocaust, whose "economies" of language are infamous. Asking such questions as, what's misplaced while phrases are wasted? and Who earnings while phrases are stored? Carson unearths the 2 poets' notable commonalities.

In Carson's view Simonides and Celan proportion the same mentality or disposition towards the realm, language and the paintings of the poet. economic climate of the Unlost starts off by means of exhibiting how all the poets stands in a country of alienation among worlds. In Simonides' case, the present economic climate of fifth-century b.c. Greece was once giving solution to one in line with funds and commodities, whereas Celan's existence spanned pre- and post-Holocaust worlds, and he himself, writing in German, turned estranged from his local language. Carson is going directly to reflect on a number of facets of the 2 poets' innovations for coming to grips with the invisible in the course of the noticeable global. a spotlight at the style of the epitaph delivers insights into the types of trade the poets envision among the residing and the lifeless. Assessing the impression on Simonidean composition of the fabric truth of inscription on stone, Carson means that a necessity for brevity inspired the exactitude and readability of Simonides' sort, and proposes a comparability with Celan's curiosity within the "negative design" of printmaking: either poets, even though in numerous methods, hire a type of unfavourable photograph making, slicing away all that's superfluous. This book's juxtaposition of the 2 poets illuminates their differences--Simonides' primary religion within the energy of the be aware, Celan's final despair--as good as their similarities; it offers fertile floor for the virtuosic interaction of Carson's scholarship and her poetic sensibility.

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Additional info for Economy of the Unlost: (Reading Simonides of Keos with Paul Celan) (Martin Classical Lectures)

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The underlying moral would seem to be that, for anyone possessed of the capacity to speak, and so to tell one thing from another, the responsibility to keep on making determinations of significance will never come to an end. And if this is true of our sense of the significance of other persons (of which characterizations go to the essence of their identity and which are, or have proven to be, of merely incidental relevance), why should we think that matters are any different with respect to our sense of ourselves?

Likewise, would the possibility that Yahweh shares many characteristics with Aten do serious damage to our believer’s sense of the distinctive nature of the God whose activity picked out the Israelites amongst all human tribes for the renewal of his covenant? Or would something akin to Simone Weil’s interpretative strategy in her Intimations of Christianity among the Greeks be an acceptable way of accommodating such family resemblances? There seems to be more or less easily imaginable room for either reaction to these particular Freudian claims to be made out, and so for the issue to appear as a matter over which two members of this religious tradition might 30 EXEMPLARS OF IDENTITY reasonably disagree.

It is as if Siegmund and Siegfried are momentary concrete particulars moulded from that underlying substance, each a distinct realization of one and the same stuff, hence each identical to and distinct from the other. And just as Siegfried’s identity is not graspable except as a reincarnation of his father, so it is not graspable as essentially distinct from his sister Sieglinde, or his father’s father, or from Brunnhilde––no more than he experiences it as separable from that of his (father’s, and so of course his father’s father’s) 4 It is, however, worth noting that this patrilineal continuity is mediated by women, more specifically by sisters who are also lovers: it is Sieglinde who christens Siegmund, as Brunnhilde prophetically calls Siegfried into existence, even if both thereby further their father’s wishes; and one might argue that the ultimate purpose of this lyric drama of intergenerational destiny is that one of those women should acquire apocalyptic wisdom.

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Economy of the Unlost: (Reading Simonides of Keos with Paul Celan) (Martin Classical Lectures) by Anne Carson


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