Sophy Smith's Hip-Hop Turntablism, Creativity and Collaboration PDF

By Sophy Smith

ISBN-10: 140944337X

ISBN-13: 9781409443377

Armed simply with turntables, a mixer and a pile of files, hip-hop DJs and turntable musicians have replaced the face of tune. besides the fact that, while hip-hop has lengthy been acknowledged as an influential pop culture either culturally and sociologically, hip-hop tune is never taken heavily as a creative style. Hip-Hop Turntablism, Creativity and Collaboration values hip-hop song as worthwhile of musicological recognition and provides a brand new method of its learn, targeting the tune itself and offering a brand new framework to ascertain not just the musical product, but in addition the inventive strategy during which it was once created. in response to ten years of analysis between turntablist groups, this can be the 1st e-book to discover the inventive and collaborative techniques of teams of DJs operating jointly as hip-hop turntable groups. concentrating on various topics - from the historical past of turntable experimentation and the improvement of cutting edge sound manipulation options, to turntable group formation, collective construction and an research of group workouts - Sophy Smith examines how turntable groups have constructed new methods of composing tune, and defines features of crew exercises in either the method and the ultimate creative product. appropriate to a person attracted to turntable track or cutting edge track in most cases, this ebook additionally incorporates a new turntable notation process and method for the research of turntable compositions, masking features similar to fabric, manipulation ideas and constitution in addition to the jobs of person musicians.

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Extra resources for Hip-Hop Turntablism, Creativity and Collaboration

Sample text

TURNTABLISM AND TECHNOLOGY 37 The developments of turntable-based sound manipulation techniques within popular music grew organically from the artists’ work as club DJs. For them, the turntable was not a new instrument to be incorporated into their artistic practice but was rather the tool of their trade. Through their musical investigations they developed new approaches to their work, regarding the playing of records as ‘… a creative, musical process’ (Poschardt, 1998, p. 107). However, the same environment that led these DJs to develop turntable-based sound manipulation techniques also limited them in other live creative developments.

TURNTABLISM AND TECHNOLOGY 37 The developments of turntable-based sound manipulation techniques within popular music grew organically from the artists’ work as club DJs. For them, the turntable was not a new instrument to be incorporated into their artistic practice but was rather the tool of their trade. Through their musical investigations they developed new approaches to their work, regarding the playing of records as ‘… a creative, musical process’ (Poschardt, 1998, p. 107). However, the same environment that led these DJs to develop turntable-based sound manipulation techniques also limited them in other live creative developments.

155). , p. 155). The creative use of technology, regarded by some as the violation of technology, began at the outset of DJ culture. Poschardt relates this to the inquiring nature of the artists who questioned the creative potential of the record player as practitioners rather than as theorists (Poschardt, 1998, p. 257). Through their actions, turntable musicians developed not only new sounds but also whole new musical genres. Poschardt regards the extension of the turntable’s musical purpose as a revolutionary aspect of hip-hop, pointing out that the majority of equipment used by hip hop artists was primarily reproductive and became instruments only through their creative application.

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Hip-Hop Turntablism, Creativity and Collaboration by Sophy Smith


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