By D. Thomas Benediktson
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This anthology is extraordinary not just for the decisions themselves, between which the Schelling and the Heidegger essays have been translated specially for this quantity, but additionally for the editors' normal advent and the introductory essays for every choice, which make this quantity a useful relief to the examine of the strong, recurrent rules relating paintings, good looks, severe technique, and the character of illustration.
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Extra info for Literature and the Visual Arts in Ancient Greece and Rome (Oklahoma Series in Classical Culture)
In this passage Socrates suggests that, just as an artist's picture is composed of one or more colors, a word is composed of one or more letters. At least to the inventors of language, the letters represent the essences of the objects named. That is, words imitate the things they name. Some imitations are excellent, but some painters and some namers make mistakes or lie. Furthermore, like pictures, names do not reproduce all the attributes of the object imitated; if they did, they would be the object imitated.
Similarly, most will be familiar with Plato's comparison of literature to the formal aspects of the visual arts, wherein he reduces literature to mimetic representation, and with Aristotle's conclusion that literature and the visual arts differ in respect to the media they employ (Poet. 1828). But scholarly attention to this ancient comparison has been limited, focussing especially on Aristotle and Horace, with the latter generally misunderstood, and this narrow perspective has prevented scholars from examining many interesting details and ramifications of the ancient comparisons.
Karl Kerenyi notes that referring to statues in honor of the gods as implies that such statues are expected to provide "joy of the god" ("gioia di dio"). " Thomas B. L. " 8 The poems of Pindar are even more revealing of the comparisons between literature and the visual arts in this period. C. Most of the remains of his considerable body of work are epinikia or odes commemorating victories at the athletic games. These poems are classified as Olympian, Pythian, Nemean, or Isthmian, depending on where the competition celebrated was held, and were written under the patronage of the victor.
Literature and the Visual Arts in Ancient Greece and Rome (Oklahoma Series in Classical Culture) by D. Thomas Benediktson