By Lorna Collins
This quantity of texts and pictures has advanced from papers given on the inaugural Making experience colloquium, which used to be held on the college of Cambridge in September 2009. The chapters accrued the following replicate the multi-dimensional and interdisciplinary feel made at this occasion, which grew to become whatever of an inventive set up in itself. The essay ‘Making experience’ by way of Jean-Luc Nancy supplied the grand finale for the colloquium and is usually the fruits of the amount. the gathering additionally comprises articles that expound and critique Nancean conception, in addition to those who supply demanding manifestos or query the divide among artist and artisan. the amount contrasts works that use texts to make experience of the realm with functionality items that question the feel of conception and search to make experience via craft, plastic paintings or portray. through juxtaposing works of natural concept with items that include poetry, prose and function, the booklet offers the reader with a distillation of the artistic act
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Extra resources for Making Sense : For an Effective Aesthetics Includes an Original Essay by Jean-Luc Nancy
To understand this sentence, which seems to separate the possibility of fragmentation from the simple fragment, or to remark on the insuf ficiency of a mere opposition of the fragment to work (un-working, dés-œuvre-ment), we will consider the essay by Blanchot on romanticism. Blanchot, Unworking and Fragment Maurice Blanchot wrote a short essay on Romanticism entitled ‘Athenaeum’. In this text, he writes that romanticism could leave only a poor result in the form of work, while it presented rich programs of theory.
Thus, what is formed by the transcendental imagination is ‘an object that may be grasped within the limits of a priori intuition but is nothing that can be thought under the concept of eidos or Idea’. ). In the Critique of Practical Reason (1788), the subject seems to be restored as the subject of morality, but finally and negatively as what is not a subject of knowledge – even if the subject is that of freedom, this freedom is not an object of cognition. Thus, the question of the unity of the subject ‘is brought to its most extreme tension’.
280–96. E. Husserl, Analyses Concerning Passive and Active Synthesis: Lectures on Transcendental Logic, trans. J. Steinbock (Dordrecht: Kluwer, 2001). J. 23–5. Af fection and Infinity 25 For Nancy this interplay of sense constitution and af fective force is to be thought in terms of the way in which the senses, that is sensory experience, or what one might simply call the operation of sensing, always engage sense (as meaningfulness), and do so always in a very specific movement of referral, sending and return (‘renvoi’ in French) which he also characterizes as a movement of resonance, echo or as a rhythm, or syncopated beat.
Making Sense : For an Effective Aesthetics Includes an Original Essay by Jean-Luc Nancy by Lorna Collins