By Tsuyoshi Ishihara
Top recognized for his sharp wit and his portrayals of lifestyles alongside the banks of the Mississippi River, Mark Twain is certainly an American icon, and lots of students have tested how he and his paintings are perceived within the usa. In Mark Twain in Japan, even if, Tsuyoshi Ishihara explores how Twain’s uniquely American paintings is considered in a very assorted culture.
Mark Twain in Japan addresses 3 vital components. First, the writer considers jap translations of Twain’s books, which were ignored via students yet that have had an important influence at the formation of the general public snapshot of Twain and his works in Japan. moment, he discusses the ways that conventional and modern eastern tradition have reworked Twain’s originals and formed jap diversifications. eventually, he makes use of the instance of Twain in Japan as a automobile to delve into the complexity of yank cultural affects on different international locations, tough the simplistic one-way version of “cultural imperialism.” Ishihara builds at the contemporary paintings of different researchers who've tested such types of yank cultural imperialism and located them short of. the truth is that different international locations occasionally express their autonomy by way of reworking, distorting, and rejecting facets of yankee tradition, and Ishihara explains how this is often no much less real in terms of Twain.
Featuring a wealth of data on how the japanese have looked Twain through the years, this e-book bargains either a historical past lesson on Japanese-American kinfolk and an intensive research of the “Japanization” of Mark Twain, as Ishihara provides his voice to the starting to be foreign refrain of students who emphasize the worldwide localization of yank tradition. whereas the publication will clearly be of curiosity to Twain students, it will also entice different teams, rather these drawn to pop culture, jap tradition, juvenile literature, movie, animation, and globalization of yankee tradition.
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Additional info for Mark Twain in Japan: The Cultural Reception of an American Icon
The last twelve chapters, known as the “evasion” episode, make up the section that Sasaki translated most faithfully. There were almost no distortions and omissions. 6 percent) of his translation. ) In a way, this figure shows how faithful Sasaki’s translation of this section is in comparison with the rest of the story, which he shortened considerably. However, considering the variety of poor responses it has received in America, Sasaki’s faithfulness to the ending of Huckleberry Finn seems rather unusual.
14 This book therefore explores a field neglected in both America and Japan; my hope is that it will contribute to a growing body of scholarship on the relationship between the two countries. 14. The exceptions are Takeshi Tanigawa, Amerika Eiga to Senryo Seisaku (American films and occupation policy; 2002); Yoshiko Takita, American Life e no Manazashi: Shizen, Josei, Taishubunka (Views on American life: Nature, women, and popular culture; 2000); and Kyoko Hirano, Tenno to Seppun: America Senryoka no Nihon Eiga Ken’etsu (Japanese emperor and kisses: The censorship of Japanese films under American occupation; 1998), which is Hirano’s own translation of her book Mr.
See also John G. Russell, Nihonjin no Kokujin-kan (Japanese images of blacks), 87. 28 Mark Twain in Japan people do get hurt” is omitted. In elevating the character of Aunt Sally and revising her racist view, Sasaki sacrificed Twain’s bitter satire of the racism of a slaveholding society. Sasaki’s sugarcoated translation of Huckleberry Finn might have been suitable for the innocent juvenile Japanese readers of the time, but it is not the Huckleberry Finn Twain wrote. Twain’s art of irony often lost its power in Sasaki’s translation.
Mark Twain in Japan: The Cultural Reception of an American Icon by Tsuyoshi Ishihara