By Thomas De Quincey
'For if as soon as a guy indulges himself in homicide, very quickly he involves imagine little of robbing; and from robbing he comes subsequent to ingesting and Sabbath-breaking, and from that to incivility and procrastination'
Thomas De Quincey's 3 essays 'On homicide regarded as one of many fantastic Arts' centre at the infamous profession of the assassin John Williams, who in 1811 brutally killed seven humans in London's East finish. De Quincey's reaction to Williams's assaults turns morality on its head, celebrating and coolly dissecting the artwork of homicide and its perfections. starting from gruesomely brilliant reportage and brilliantly humorous satiric excessive jinks to penetrating literary and aesthetic feedback, the essays had a striking impression on crime, terror, and detective fiction, in addition to at the upward thrust of nineteenth-century decadence.
Readership: Readers and scholars of Victorian literature, Romantic literature, gothic and terror literature, detective fiction, crime fiction, literature of decadence, satire and black humour, essays
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Additional resources for On Murder (Oxford World's Classics)
The Poetics of Murder: Detective Fiction and Literary Theory (New York, 1983). O’Quinn, Daniel, ‘Murder, Hospitality, Philosophy: De Quincey and the Complicitous Grounds of National Identity’, Studies in Romanticism, 38 (1999), 135–70. Orwell, George, ‘Decline of the English Murder’, in Smothered under Journalism, 1946, ed. Peter Davison (London, 1998), 108–10. Playfair, G. M. , 5 (January 1912), 6. Plotz, Judith, ‘On Guilt Considered as One of the Fine Arts: De Quincey’s Criminal Imagination’, Wordsworth Circle, 19 (1988), 83–8.
Malkan, Jeﬀrey, ‘Aggressive Text: Murder and the Fine Arts Revisited’, Mosaic, 23 (1990), 101–14. Mandel, Ernest, Delightful Murder: A Social History of the Crime Story (Minneapolis, 1984). Mayoux, Jean-Jacques, ‘De Quincey: Humour and the Drugs’, in Veins of Humour, ed. , 1972), 109–29. Moldenhauer, Joseph, ‘Murder as a Fine Art: Basic Connections between Poe’s Aesthetics, Psychology, and Moral Vision’, PMLA, 83 (1968), 284–97. Select Bibliography xxxi Morrison, Robert, ‘Poe’s De Quincey, Poe’s Dupin’, Essays in Criticism, 51/4 (2001), 424–41.
T. Coleridge, Aristotle, and Mr Howship* the surgeon. C. * The ﬁre was in Oxford Street, at a piano-forte maker’s; and, as it promised to be a conﬂagration of merit, I was sorry that my engagements forced me away from Mr Coleridge’s party before matters were come to a crisis. Some days after, meeting with my Platonic host, I reminded him of the case, and begged to know how that very promising exhibition had terminated. * On the contrary, I know him to be that sort of man that I durst stake my life upon it he would have worked an engine in a case of necessity, although rather of the fattest for such ﬁery trials of his virtue.
On Murder (Oxford World's Classics) by Thomas De Quincey