By Martin Paul Eve
Pynchon and Philosophy appreciably reworks our readings of Thomas Pynchon along the theoretical views of Wittgenstein, Foucault and Adorno. Rigorous but readable, Pynchon and Philosophy seeks to get well philosophical readings of Pynchon that paintings harmoniously, instead of antagonistically, leading to a unconditionally clean procedure.
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Additional resources for Pynchon and Philosophy: Wittgenstein, Foucault and Adorno
This issue spawns further questions that will haunt this entire work; questions on moral relativism and strains of liberalism in Pynchon’s work. What where Initially, the direct citation of Wittgenstein in V. must be strictly delineated from the text’s implicit reference to pertinent philosophical themes such as solipsism, Platonism and logical positivism. This is because, in 24 Pynchon and Philosophy the process of referencing an individual rather than a philosophical principle, Pynchon extends a hostile invitation; Wittgenstein is welcomed into V.
For R is a meaningless concept, Having nothing to do with pleasure: I prefer the hard and tangible things I can measure. Man, you chase in the face Of impossible odds; I’m a lass in the class Of unbossable broads. If you promise me no more sticky phrases, Half a mo while I kick off my shoes. There are birds, there are bees, And to hell with all your P’s And Q’s. , 289–90) This song, sung by Charisma (wearing his customary green blanket) and Mafia (who ends up under said blanket), takes place at one of the 36 Pynchon and Philosophy gatherings of the Whole Sick Crew, Pynchon’s gang of 1950s wasters and dropouts.
To expand upon this, consider that critics such as Eddins have, thus far, seen fit to interpret these aspects with minimal consideration of the idiosyncrasies of Pynchon’s writing, which fit poorly with the traditional critical framework for understanding character. It is often noted that Pynchon’s characters appear two-dimensional; they apparently lack depth and produce little emotional affect. Regardless of whether one sees an emotional void in Pynchon’s work, this impression of a superficial surface comes about because Pynchon’s characters often do not engage in protracted dialogue interpolated with narrationally privileged empathic introspection.
Pynchon and Philosophy: Wittgenstein, Foucault and Adorno by Martin Paul Eve