By Timothy Morton
During this ebook Timothy Morton, the well known ecologist, literary theorist, and object-oriented thinker, lures us right into a magical evening of gadgets. If issues are intrinsically withdrawn, irreducible to their conception or kin or makes use of, they could in simple terms have an effect on one another in an odd quarter of strains and footprints: the classy size. each item flickers with absence. Sensual issues are elegies to the disappearance of gadgets. Doesn't this let us know anything concerning the aesthetic measurement, why philosophers have usually discovered it to be a realm of evil?
Series Editors: Graham Harman and Bruno Latour
The global is due for a resurgence of unique speculative metaphysics. the recent Metaphysics sequence goals to supply a secure condominium for such pondering amidst the demoralizing warning and prudence educational philosophy. we don't target to bridge the analytic-continental divide, due to the fact we're both impatient with nail-filing analytic critique and the continental reverence for dusty textual monuments. We desire as a substitute the spirit of the highbrow gambler, and want to find and advertise authors who meet this description. Like an emergent recording corporation, what we search are strains of a brand new metaphysical 'sound' from any country of the area. The editors are open to translations of ignored metaphysical classics, and may think of secondary works of especial strength and bold. yet our major curiosity is to stimulate the beginning of aggravating masterpieces of twenty-first century philosophy.
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Extra info for Realist Magic: Objects, Ontology, Causality (New Metaphysics)
Just as Einstein discovered that spacetime was the warped and rippling gravitational field of an object, so Husserl discovered that consciousness was not simply an empty limpid medium in which ideas float. Consciousness, as revealed by phenomenology, is also a dense, rippling entity in its own right, like the wavering water of Monet’s contemporary water lily paintings: the water that is the true subject of those paintings. The aesthetic form of an object is where the causal properties of the object reside.
As I sit there, grinning happily while the machine does its thing, a thought starts to nag at me. In using the machine, I have automatically excluded the one single accidental encounter that the janitor has with it Like an Illusion 53 when, cleaning away the cigarette butts and plastic cups after the party to celebrate the machine’s successful functioning, he carelessly stubs his left big toe against one corner of the cinder block and shuffles away, not paying much heed to the ontological cataclysm that has just occurred.
The dust in Nevada. The dust of Bikini Atoll. Bikinis. All the glass-like substances created when nuclear bombs explode. The sound of the bomb radiating out into the atmosphere. The shock waves that produce seismic effects. The half-life of plutonium and uranium. That monstrous pool of melted uranium at Chernobyl, which you can only look at in a photograph unless you want to die quickly. Photons striking the uranium record it on a photographic plate or in the memory of a digital camera. Software samples this image at a certain rate, creating a jpeg that 34 Timothy Morton you are now seeing.
Realist Magic: Objects, Ontology, Causality (New Metaphysics) by Timothy Morton