By Iain M. Banks
The 1st ever choice of Iain Banks's brief fiction, this quantity contains the acclaimed novella, The cutting-edge. this can be a amazing addition to the transforming into physique of tradition lore, and provides definition and scale to the former works through the use of the Earth of 1977 as distinction. the opposite tales within the assortment variety from technological know-how fiction to horror, dark-coated fable to morality story. All undergo the indefinable stamp of Iain Banks's spectacular expertise.
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Extra info for State of the Art (The Culture, Book 4)
Hazel had agreed and gone back to work. Now, she was driving past a collection of homes, turning onto Horseshoe Road, which led to the farms of the Amish in Lancaster County, situated in Pennsylvania’s southeastern corner. She had lived her whole life in the area, where the Amish and the folks they called the “English” had forged an alliance, symbiotic yet separate. The Amish kept to themselves, but everyone in one way or another relied on the tourists who flocked to see for themselves the simple life, a life of horses and buggies, farming for subsistence and for profit, no electricity.
Two At about the same time Hazel Show arrived at her brother’s house on the night her daughter was murdered, Michelle Lambert, Lawrence Yunkin, and their friend Tabbi Buck were hanging out at the Garden Spot Bowling Alley in Strasburg, a pretty little town of narrow, tree-lined streets and two-story brick shops just south of East Lampeter. The highlight of an evening in Strasburg for tourists is a ghost walk sponsored by a local gem and jewelry store. A country-style ice cream/gift shop at the center of town offers a place to watch a steady stream of Amish families trot by in their horses and buggies.
They had turned left at Anderson Pretzels. The Puerto Rican girls—one with dark hair, the other with orange-yellow hair—had whistled at Yunkin. “I told them to shut up,” Michelle said. ” They had gotten back in the car and a tire went flat. Yunkin had gone to open the trunk but had broken the key in the lock. Lambert went on for about thirty minutes until Harnish suggested another break. Six minutes, this time. Picking up the story, Lambert related they had taken Buck to school done four loads of laundry, gone home and watched Little House on the Prairie, had eaten lunch and then watched Matlock.
State of the Art (The Culture, Book 4) by Iain M. Banks