By Anna-Teresa Tymieniecka (auth.), Marlies Kronegger, Anna-Teresa Tymieniecka (eds.)
Let us revive the real feel of excellent arts: enchantment! within the conceptualised, commercialised, man made method of positive arts, we forgot its actual experiential feel. It lies on the ingenious middle of all arts there to be retrieved through the artistic recipient because the very 'truth of it all'.
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Additional info for The Aesthetics of Enchantment in the Fine Arts
If that were the case, then playing a game of checkers would entail an aesthetic experience. Rather, it is the aesthetic appreciation of the play as an aesthetic object, qua aesthetic beauty, which is the essence of the detachment. However, for the aesthetic experience to be co-constituted as an enchantment, the detachment of the aesthetic experience must transform into a province that is lived through as-if its symbolization is specifically real-ized-for-me. The symbolic nature of the experience is made real in an analogous sense that making love is the symbolic nature of love as-if made real in the sex act.
The idiosyncratic nature does not mean that an enchantment can only happen to a single individual. On the contrary, people who in the we-relation empathically share an existential situation may co-constitute the enchantment, but it will then be idiosyncratic to them. The idiosyncratic character consists in the specific symbolic significance for those who experience enchantment at a unique juncture of duration and place. The actual symbols could very well appear to be typifications but constituted as idiosyncratic 38 GARY BACKHAUS meanings, they have transformed specific contents of experience.
It was only a movie". Rather, the experience remains as a remembered enchantment like the remembered vision of the mystic. The crucial difference, though, between the mystical vision and an enchantment is that the symbolic meanings gained through enchantment also imbue the everyday life-world with a new vitality of significance. The vision of the mystic remains beyond this world in a way that neither can be translated into significance that enriches the everyday nor can be transmuted for gearing into the everyday life-world.
The Aesthetics of Enchantment in the Fine Arts by Anna-Teresa Tymieniecka (auth.), Marlies Kronegger, Anna-Teresa Tymieniecka (eds.)