By Tamara Hareven
The makers of obi, the based and expensive sash worn over kimono in Japan, belong to an endangered species. those households of brands, weavers, and different craftspeople situated within the Nishijin weaving district of Kyoto have practiced their difficult craft for generations. In contemporary many years, despite the fact that, because of declining markets for kimono, they locate their livelihood and satisfaction more durable to maintain. This ebook is a poignant exploration of a vanishing global. Tamara Hareven integrates ancient examine with extensive existence historical past interviews to bare the relationships between kinfolk, paintings, and group during this hugely really expert occupation.
Hareven makes use of her wisdom of fabric staff' lives within the usa and Western Europe to teach how extraordinary similarities in weavers' stories go beyond cultural transformations. those very wealthy own stories, taken over a decade and a part, supply perception into how those women and men have juggled kin and paintings roles and coped with insecurities. Readers can examine firsthand how weavers understand their craft and the way they interpret their lives and look at the area round them. With infrequent immediacy, The Silk Weavers of Kyoto captures a lifestyle that's swiftly disappearing.
Read or Download The Silk Weavers of Kyoto: Family and Work in a Changing Traditional Industry PDF
Best japan books
This assortment contains a impressive new translation of the japanese master's tales, from the resource for the motion picture Rashomon to his later, extra autobiographical writings.
A amazing tale of survival in the course of global conflict II—a Scottish soldier that survived paintings camps, 5 days adrift at sea, and the atomic bomb!
Alistair Urquhart was once a soldier within the Gordon Highlanders, captured by way of the japanese in Singapore. pressured into handbook exertions as a POW, he survived 750 days within the jungle operating as a slave at the infamous “Death Railway” and construction the Bridge at the River Kwai. therefore, he moved to paintings on a eastern “hellship,” his send was once torpedoed, and approximately every person on board the send died. no longer Urquhart. After 5 days adrift on a raft within the South China Sea, he used to be rescued by means of a eastern whaling ship.
His good fortune may simply worsen as he was once taken to Japan and compelled to paintings in a mine close to Nagasaki. months later, he used to be simply ten miles from floor 0 while an atomic bomb was once dropped on Nagasaki. In past due August 1945, he was once freed through the yankee Navy—a residing skeleton—and had his first wash in 3 and a part years.
This is the extreme tale of a tender guy, conscripted at nineteen, who survived not only one, yet 3 encounters with demise, any of which must have most likely killed him. Silent for over fifty years, this is often Urquhart’s inspirational story in his personal phrases. it really is as relocating as any memoir and as interesting as any nice conflict motion picture. 24 colour illustrations
Amano Yoshitaka JAPAN ultimate delusion (in Japanese)
Concept artwork from ultimate fable vi
Eastern conversation: Language and idea in Context opens with a comparability of easy American and jap values through cultural icons. Maynard examines themes equivalent to masculine and female speech, swearing, expressions of ridicule and clash, adverbs of emotional angle and the eloquence of silence.
- Japan and the Internet Revolution
- Tales of Ise: Lyrical Episodes from Tenth-Century Japan
- Everyday Things in Premodern Japan: The Hidden Legacy of Material Culture
- Documents on the rape of Nanking
- Kinship and Economic Organization in Rural Japan
- The Sun Gods
Extra resources for The Silk Weavers of Kyoto: Family and Work in a Changing Traditional Industry
Despite its traditional character, Nishijin has been affected by the complexities characteristic of contemporary Japan. Its craftspeople and manufacturers are caught in the crosscurrents of new and old, between modern technology and traditional culture, and between bureaucratic organizations and persistent family traditions. Nishijin remains, however, an enclave of traditional craftsmanship and aesthetics in the world of Sony and Mitsubishi. Nishijin weavers and manufacturers participate in most aspects of modern Japanese life, but the product, the weaving methods, the internal organization and division of labor, and the weavers’ aesthetic values and view of themselves as shokunin [craftspeople] all demonstrate the survival of their traditions, even in modiﬁed form.
Fujiwara’s house was a small, narrow, wooden structure in the northwestern section of Nishijin, near Daitokuji Temple. The manufacturers built many of these houses as an investment in the 1920s, when they expanded the Nishijin weaving district by constructing new weavers’ cottages and enticing workers to move there. Mr. Nishitani, Mrs. Fujiwara’s father, made that move with his parents when he was still in grade school. He continued to live and weave in the same cottage into his old age. Mrs. Fujiwara was born and grew up in that house, and later returned to live there with her husband and children.
I showed them pictures of my house, family, and work environment in Massachusetts. I also frequently brought them gifts that were representative of American crafts and folk art, or of American scenes related to textiles. By coincidence, I discovered an additional signiﬁcant tie that helped cement our relationships: I was the same age as Mrs. Shibagaki, Mrs. Fujiwara, and Mrs. Konishi. In Japan, “same age” evokes a much stronger bond than it would in western society. It implies a capacity for empathy and mutual understanding on a level that Japanese people would not expect from those even one year older or younger than themselves.
The Silk Weavers of Kyoto: Family and Work in a Changing Traditional Industry by Tamara Hareven