Get The Silk Weavers of Kyoto: Family and Work in a Changing PDF

By Tamara Hareven

ISBN-10: 0520228170

ISBN-13: 9780520228177

ISBN-10: 0520228189

ISBN-13: 9780520228184

ISBN-10: 0585465983

ISBN-13: 9780585465982

The makers of obi, the based and expensive sash worn over kimono in Japan, belong to an endangered species. those households of brands, weavers, and different craftspeople situated within the Nishijin weaving district of Kyoto have practiced their difficult craft for generations. In contemporary many years, despite the fact that, because of declining markets for kimono, they locate their livelihood and satisfaction more durable to maintain. This ebook is a poignant exploration of a vanishing global. Tamara Hareven integrates ancient examine with extensive existence historical past interviews to bare the relationships between kinfolk, paintings, and group during this hugely really expert occupation.

Hareven makes use of her wisdom of fabric staff' lives within the usa and Western Europe to teach how extraordinary similarities in weavers' stories go beyond cultural transformations. those very wealthy own stories, taken over a decade and a part, supply perception into how those women and men have juggled kin and paintings roles and coped with insecurities. Readers can examine firsthand how weavers understand their craft and the way they interpret their lives and look at the area round them. With infrequent immediacy, The Silk Weavers of Kyoto captures a lifestyle that's swiftly disappearing.

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Extra resources for The Silk Weavers of Kyoto: Family and Work in a Changing Traditional Industry

Example text

Despite its traditional character, Nishijin has been affected by the complexities characteristic of contemporary Japan. Its craftspeople and manufacturers are caught in the crosscurrents of new and old, between modern technology and traditional culture, and between bureaucratic organizations and persistent family traditions. Nishijin remains, however, an enclave of traditional craftsmanship and aesthetics in the world of Sony and Mitsubishi. Nishijin weavers and manufacturers participate in most aspects of modern Japanese life, but the product, the weaving methods, the internal organization and division of labor, and the weavers’ aesthetic values and view of themselves as shokunin [craftspeople] all demonstrate the survival of their traditions, even in modified form.

Fujiwara’s house was a small, narrow, wooden structure in the northwestern section of Nishijin, near Daitokuji Temple. The manufacturers built many of these houses as an investment in the 1920s, when they expanded the Nishijin weaving district by constructing new weavers’ cottages and enticing workers to move there. Mr. Nishitani, Mrs. Fujiwara’s father, made that move with his parents when he was still in grade school. He continued to live and weave in the same cottage into his old age. Mrs. Fujiwara was born and grew up in that house, and later returned to live there with her husband and children.

I showed them pictures of my house, family, and work environment in Massachusetts. I also frequently brought them gifts that were representative of American crafts and folk art, or of American scenes related to textiles. By coincidence, I discovered an additional significant tie that helped cement our relationships: I was the same age as Mrs. Shibagaki, Mrs. Fujiwara, and Mrs. Konishi. In Japan, “same age” evokes a much stronger bond than it would in western society. It implies a capacity for empathy and mutual understanding on a level that Japanese people would not expect from those even one year older or younger than themselves.

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The Silk Weavers of Kyoto: Family and Work in a Changing Traditional Industry by Tamara Hareven


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