By Bruce Ross
The lectures accrued for this e-book specialise in transpersonal expression - heightened states of feeling, emotion, and deeper areas of the psyche, from the Paleolithic (so-called rock art), to the medieval (Solomon Ibn Gabirol), to the trendy (Rilke), and postmodern (Haruki Murakami). This examine indicates the psyche is difficult stressed for non secular adventure, for cultured and moral expression, and that transpersonal expression in literature and the humanities is a common human exploration of probably a basic flooring of being. the point of interest of the chapters supply facts for those feedback: mysticism in Gabirol, Rumi, and Rilke; reckoning with agony in Murakami’s postmodern fables; religious failure and charm within the triptychs of Bosch, Beckman, and Bacon; epiphany in Basho, Suthorn Pho, and modern global commute haibun; altered states in Romantic ballet; metaphysical area in Ra’anan Levy’s portray; epiphany and social communion in Paul Theroux’s commute writing; maintaining the area in smooth Aboriginal artwork; the character of «big brain» recognition as inner house; visitation to the heavens in global petroglyphs and pictographs; «absolute metaphor» in conventional American haiku; and non secular spaciousness as a key aspect in haiku.
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Additional info for Traveling to Other Worlds: Lectures on Transpersonal Expression in Literature and the Arts
The story concludes with Murakami’s criticism of his generation’s conformism and technological economy: I continue to sell refrigerators and toaster ovens and coffeemakers in the pragmatic world, based on afterimages of memories I retain from this world. The more pragmatic I try to become, the more successfully I sell—our campaign has succeeded beyond our most optimistic forecasts—and the more people I succeed in selling myself to. That’s probably because people are looking for a kind of unity in this kitchin we know as the world.
4 Why would the narrator want to be protective of this story? Would it reflect that he was indeed mad? That he might actually be mad is supported by a declared shift in perception after the witnessed fantastic event: I often get the feeling that things around me have lost their proper balance, though it could be that my perceptions are playing tricks on me. Some kind of balance inside me has broken down since the elephant affair, and maybe that causes external phenomena to strike my eye in a strange way.
One of the distinguishing features of mystical experience, recorded in personal testaments, is this experience of a powerful sense of ecstasy and often a corresponding sense of cosmic wonder. The boasting tone of hyperbole in Ibn Gabirol’s “I’m Prince to the Poem” could be construed as a metaphoric expression of the poet’s overwhelming joy before all experience, an idiom close to that of Rumi: the poet becomes a prince and a musician and singer for all the kings. ”65 His “Now the Thrushes” also suggests Rumi in its celebration of the rebirth of spring.
Traveling to Other Worlds: Lectures on Transpersonal Expression in Literature and the Arts by Bruce Ross